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The Degradation of American History, by David Harlan
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American historical writing has traditionally been one of our primary forms of moral reflection. However, David Harlan argues that in the disillusionment following the 1960s, history abandoned its redemptive potential and took up the methodology of the social sciences. In this provocative new book, Harlan describes the reasons for this turn to objectivity and professionalism, explains why it failed, and examines the emergence of a New Traditionalism in American historical writing.
Part One, "The Legacy of the Sixties," describes the impact of literary theory in the 1970s and beyond, the rise of women's history, the various forms of ideological analysis developed by historians on the left, and the crippling obsession with professionalism in the 1980s. Part Two, "The Renewal of American Historical Writing," focuses on the contributions of John Patrick Diggins, Hayden White, Richard Rorty, Elaine Showalter, Henry Louis Gates Jr., and others. Harlan argues that at the end of the twentieth century American historical writing is perfectly poised to become what it once was: not one of the social sciences in historical costume, but a form of moral reflection that speaks to all Americans.
"[A] wholly admirable work. This book will be talked about for years."—Library Journal
- Sales Rank: #2288922 in Books
- Published on: 1997-11-10
- Original language: English
- Number of items: 1
- Dimensions: 9.00" h x .70" w x 6.00" l, .96 pounds
- Binding: Paperback
- 314 pages
Amazon.com Review
David Harlan writes in The Degradation of American History that "during the last thirty years history as ethical judgment has been driven into exile by history as contextual reconstruction." He charges that the relativistic quest for a value-free history--one that ignores what people in the past thought about their lives and times--is a false exercise in "history as objective truth." He is no kinder to postfeminist and multiculturalist schools of thought, proposing instead a kind of new traditionalism that recognizes the values that emerge from historical study. This is all fiery stuff, and sure to excite controversy among professional historians, Harlan's primary audience. Lay readers should find Harlan's book interesting, too, if for no other reason than that it draws clear lines of battle in a murky struggle.
From Library Journal
The profession of history is in crisis in a postmodern world of multiple perspectives and information overkill, argues Harlan (history, California Polytechnic Univ., San Luis Obispo): "The earlier idea of American history as a great conversation [has] all but disappeared, replaced by tightly focused and rigorously contextualized minihistories." Analyzing the failure of historians' attempts, from 1960 on, to come to grips with the problem of "objectivity," he exhorts us instead to use the past to "enrich...and critique our troubled and confusing present." Harlan's concern with emotional and ethical involvement in the historical text leads him to slight the virtue of reading in context, but this is an acceptable failing in an otherwise wholly admirable work. This book will be talked about for years. Recommended for public and academic libraries.?David Keymer, California State Univ., Stanislaus
Copyright 1997 Reed Business Information, Inc.
Most helpful customer reviews
11 of 24 people found the following review helpful.
A well-reasoned, if unabashedly passionate, contribution.
By A Customer
Harlan lucidly outlines the current status of historiography, particularly American, in light of the persistent influence of post-structuralism. Leading historians, such as Joyce Appleby, would do well to learn from his observations, suggestions, and style.
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